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In hostel, it is annoying when the girl in the neighboring room plays music on loudspeakers.

Its worse when the song is some screechy melody by a shrill female voice. (The la-la-la type)

And it’s a nightmare when the song is something like this:-
“Kuri hoyi way solan saal di
(The girl has turned sixteen)
Haye Haye Jawani”
(……………………..:|)

Yes, the popular hit song by the band Stereo Nation. Cheesy like anything, yet this song conquered the music charts like fire. Ok, generally bad taste in music is justified. But what makes people worship songs that personify women as drool-upon-objects is beyond my comprehension.

Music is one of the finest forms of art. But ironically what clicks people most nowadays are the songs that have reduced the status of women to mere “Shielas” and “Munnis”. Slutty, voracious, immensely desperate women. But yes, women hot enough to knock out the sensibilities of hormonal chips. And that’s what makes an ideal media object that sells-quite fast.
The cost?
Stripping off the regard and respect for femininity and dehumanization of women to ‘sexy dolls’ in a lascivious framework. But of course, we are accustomed to ignore this deeper reality by default.

Meet Munni, she is badnaam because of her darling.

Sexual degradation and objectification of women is not a trend limited to this part of world alone. Even the societies with notions of reducing gender disparity have such music icons that cash this image of women to make easy money. Most noticeable example for this case can be Akon with songs like ‘Smack that’ and ‘Sexy bitch’. Also a remarkable example here is the popular rap artist Nelly’s “Tip Drill”, whose lyrics portray a woman who is willing to sleep with every random man for the sake of money. And yes, let’s not forget Eminem’s contribution here.

Now I know many will wave it off casually by saying it’s just a song. The very fact that people don’t even recognize such song lyrics inappropriate goes on to show how deeply indoctrinated the gender discrimination ideals are. What people fail to realize is that it’s an image rather than just a song that this industry sells. The image of a greedy, gorgeous and glamorous woman who will readily trade off herself for a few bucks. An image that is to be adored and worshiped like a buyable commodity that can be disposed off at the end of the day. The videos of such songs mostly show prostitutes or strippers with men throwing money on them. Very often abusive and offensive acts are directed towards women in these videos. This all sends a message that women are nothing but sex objects and its ok for men to treat them like so.

Indeed.

Ironically, a sizeable majority of women also love dancing on these tunes and being associated with such songs is something they find a ‘compliment’. Maybe they don’t listen the lyrics properly or possibly they find the physical remarks (no matter how cheap) flattering. After all, they are brought up with the perception that the world around them is obsessed with physical looks. Forget about gray matter, in the world of pink gray is ugly.

These collective general behaviors depict the thinking mode of any society. So if a society as a whole is ok with the portrayal of women as nymphomaniacs with absolutely no personalities or an ounce of intellect then something is surely heading in the wrong direction. There is a thin border line between decency and indecency, art and lewdness. Its time that we induce these parameters in the media lines. And of course before that we need to rectify our own vision as well.